Ra’s Words of Wisdom

Ra Uru Hu

Ok, so look, let’s take a look at a couple of things. Yesterday I began in trying to focus you on how to look at the Nodes. I think this is something that really needs reinforcing to really understand how to use them. I’ve tried a number of ways over the years to create a metaphor for this. My most recent metaphor is that this is a neighborhood because it’s very physical. It’s like the background in a scene in a film and the background tells you everything, actually. The background frames what to expect. There are certain backgrounds that you immediately think, aha, something is going to happen here that’s not good. There are other backgrounds that tell you right away that this is interesting; this looks very kind of intellectual, nouveau riche, “this or that,” blah, blah, blah.

In other words, when you’re looking at the Nodes, they are painting the environment in the background of your experience. It is that set, it’s a set. It’s even better to understand it as a set and even more than that to understand that set is not just the physical buildings but the people who live there. You want to make a movie and you want to show a street where your character is going to go down that street to somebody’s house. Now, it’s not enough that you simply have the street there and you have some parked cars. What you’re going to stick into that background is people, but they’re just decoration. But they’re decoration that adds to the quality of the environment.

For example, if the decoration looks like a gang of young hoodlums who are out to find a victim, you’re going to feel very different about that environment no matter what the neighborhood looks like. In other words, what the Nodes really bring you; because again this is a much larger, and when I say larger it is a transpersonal imprint. It is coming from beyond what is the solar cell structure. So what we have is an environment that is more than just the physical environment. It’s the people who give the environment its quality.

Also, just to complete that analogy for a moment, we move from the South Node to the North Node. This is a timing that’s based on the Uranian cycle of 84 years. The halfway point in the Uranian cycle, and it depends because it’s a different kind of orbit, your Uranian opposition is any time between the age of 38 and 44, approximately. This basically cuts the life in half in terms of the Uranian life.

So, what we’re looking at is, I don’t want you to see the South Node and the North Node as really being different from each other. After all, look at the gates. If you look at the gate and you look at their chops, you’ll see they are exact mirrors of each other. They’re so deeply related to each other that it’s something to really understand about the Nodes. After all, the Nodes are in opposition and if you look at an opposition within the context of the hexagrams, you’ll see that you’re dealing with mirrors. So you’re dealing with the same structure mirrored. Now, in this process you have what I like to call a long street that divides between north/south or east/west and it changes its name. Many big cities have these kinds of streets where at the south end it has one name and the north end of the street has another name, and that’s basically what you’re looking at with the Nodes.

But you’re also looking at something else. It is only on the surface that the Magnetic Monopole holds us together in the illusion of our separateness. But in fact, we are a binary. Our Design and our Personality are very different. Our Design return begins 88° of Sun before the Personality return begins. They’re very different from each other. The Personality environment, the environment that the Personality is attuned to is very different from the environment for the unconscious.

~ Ra Uru Hu

In 1992, as Ra Uru Hu began training the first students of The Human Design System, the International Human Design School was founded, and after many years of experiments, experiences and evolution, the IHDS represents a landmark in Human Design Education. The IHDS operates as part of the parent organization, Jovian Archive, Inc., and is responsible for setting and maintaining educational standards and materials for Human Design worldwide, and is the official certifying agency and record keeper for Human Design Professionals. The IHDS is currently licensed and run by Lynda Bunnell. Visit the International Human Design School website.

About IHDS

In 1992, as Ra Uru Hu began training the first students of The Human Design System, the International Human Design School was founded, and after many years of experiments, experiences and evolution, the IHDS represents a landmark in Human Design Education. The IHDS operates as part of the parent organization, Jovian Archive, Inc., and is responsible for setting and maintaining educational standards and materials for Human Design worldwide, and is the official certifying agency and record keeper for Human Design Professionals. The IHDS is currently licensed and run by Lynda Bunnell. Visit the International Human Design School website.