Profile is this: you’ve got the job. That is what profile does. It says, look, you’ve got the job, you’ve won the part, you’ve got the part in the play, and here it is. Okay, so you’re going to incarnate and here’s the costume we’re going to give you. This is your profile, this is your cross, here’s your costume. And here’s your particular construct, your Design and everything that goes with it. And here are the lines that you have to learn in the play. Now the rest, because everything else is written, the rest is up to you. How are you going to play that part? How are you going to play those lines? Don’t be fooled; they’re not solid, these things, these lines.

I used to tell students when I was going through this process earlier in my career teaching these things that everybody should learn how to write their own I’Ching, because you can. Because once you understand the mechanics, once you understand the numbers, if you’re so skilled in the poetics, or if you just want to create your own, you can, because these lines are just lines. It’s a way of understanding how the play is laid out. It’s my poetic attempt to lay out the drama of what the program brings, but not the art.

That’s what I like. I love a great performance, how beautiful, how stimulating, how inspiring, the great performance. But this is what you’re here for. You’ve been given the finest role. It’s yours; it’s unique. There is nothing like it. There are incredible possibilities in the fulfillment of what it is to play out that role. For 21 years I’ve been telling people you’re mythology. You can live it. You can breathe it. You can live the beauty of what it is to be on this plane and to be aware and not to be afraid; but, to trust, to love yourself, to watch the world and to share your consciousness, to offer your outer authority, and the magic that that can bring, the uniqueness of your filtering.

~ Ra Uru Hu